Buy direct from the artist and avoid Art Gallery mark-ups.
Buy direct from the artist and avoid Art Gallery mark-ups.
Steven Green Art was founded to bring contemporary art to a broader audience. We believe that art has the power to inspire, challenge, and transform, and we are committed to bringing the best and most innovative contemporary art to our community and your homes.
My professional life as an artist has always been process-oriented. Early in my career, it was the nonrepresentational image derived from using materials or the operation of multiple layering of the art materials in which the picture would emerge. In the last eighteen years, this same process orientation has been how my current land
My professional life as an artist has always been process-oriented. Early in my career, it was the nonrepresentational image derived from using materials or the operation of multiple layering of the art materials in which the picture would emerge. In the last eighteen years, this same process orientation has been how my current land and cityscape images occur. When asked,” What is my source for the image?” I need to mentally pause to explain the process of starting from a place of nothing, or one can say the blank paper, canvas, or panel surface is my source. From this starting point, I attempt to remove all images from my mind and begin as rapidly or non-consciously as possible. Through this process of application and interpretation, layer upon layer of art material is applied until a final image emerges. Another perspective from John Daido Loori’s “The Zen of Creativity” can be quoted about the Zen aesthetic. “…In no mind there is no intent. The activity, whatever it may be, is not forced or strained. The art just slips through the intellectual filters, without conscious effort and without planning. This functioning of no mind is sometimes called the action of no action. This is the Taoist concept of wu-wei: a continuous stream of spontaneity that emerges from the rhythm of circumstances.” The phrase, “…without conscious effort and without planning…” is the key to developing the ultimate, in my case, land and cityscape image. My recent artwork has begun to explore a new idea, “the city.” In my most recent large-scale paintings, I have discovered that the same process of discovering form and rhythm occurs with the city and a natural landscape.
Scapes: Land and City, Uncommon Ground, Chicago, IL, Dec. 2016 (one-person)
16th Annual Open Studio, Albany-Carroll Building, Chicago, IL, Oct. 2015.
15th Annual Open Studio, Albany-Carroll Building, Chicago, IL, Oct. 2014.
Scapes: Land and City, Old Town Art Center, Chicago, IL, Sept. 2013 (one-person)
Works on Paper, Las Manos Gallery, Chi
Scapes: Land and City, Uncommon Ground, Chicago, IL, Dec. 2016 (one-person)
16th Annual Open Studio, Albany-Carroll Building, Chicago, IL, Oct. 2015.
15th Annual Open Studio, Albany-Carroll Building, Chicago, IL, Oct. 2014.
Scapes: Land and City, Old Town Art Center, Chicago, IL, Sept. 2013 (one-person)
Works on Paper, Las Manos Gallery, Chicago, IL, April 2013.
Migrating, Las Manos Gallery, Chicago, IL, Oct. 2012.
Dystopia, Las Manos Gallery, Chicago, IL, April 2012.
ART + DESIGN, Las Manos Gallery, Chicago, IL, Dec. 2011.
Artist’s Month Exhibition, Las Manos Gallery, Chicago, IL, Oct. 2011.
New Works on Paper, Las Manos Gallery, Chicago, IL, March 2011.
December Group Show, Las Manos Gallery, Chicago, IL, Dec. 2010.
11th Annual Open Studio, Albany-Carroll Building, Chicago, IL, Oct. 2010.
10th Annual Open Studio, Albany-Carroll Building, Chicago, IL, Oct. 2009.
9th Annual Open Studio, Albany-Carroll Building, Chicago, IL, Oct. 2008.
Landscape Paintings, The Leigh Gallery, Chicago, IL, Oct. 2008.
8thAnnual Open Studio, Albany-Carroll Building, Chicago, IL, Oct. 2007.
The Art of Teaching, Gallery 37, Chicago, IL, Feb. 2007.
7th Annual Open Studio, Albany-Carroll Building, Chicago, IL, Oct. 2006.
The Art of Teaching, Gallery 37, Chicago, IL, Feb. 2006.
6th Annual Open Studio, Albany-Carroll Building, Chicago, IL, Oct. 2005.
5th Annual Open Studio, Albany-Carroll Building, Chicago, IL, Oct. 2004.
New Views: Contemporary Visions of the Landscape, Gwenda Jay/ Addington Gallery,
Chicago, IL, June 2004.
Winter Group Exhibition, Live Arts Gallery, San Francisco, CA, Dec. 2000.
62nd National Exhibition of Contemporary American Painting, Society of the Four Arts,
Palm Beach, FL. Dec. 2000.
New Landscapes, Live Arts Gallery, San Francisco, CA, Sept. 2000. (one-person)
Landscape Exhibition, Base Art Gallery, San Francisco, CA, May 2000.
Works on Paper, Farley’s, San Francisco, CA, Feb.2000.
Three Views, Live Arts Gallery, San Francisco, CA, Dec. 1999.
61st National Exhibition of Contemporary American Painting, Society of the Four Arts,
Palm Beach, FL. Dec. 1999.
Open Studios99 Exhibition, SomARTS Gallery, San Francisco, CA, Oct. 1999.
44th Annual International Open Exhibition, Sacramento Fine Arts Center,
Carmichael, CA, Oct. 1999.
69th Annual Statewide Exhibition, Santa Cruz Art League, Santa Cruz, CA, June 1999.
95th National Open Exhibition, Long Beach Arts, Long Beach, CA, June 1999.
ArtSpan Benefit Auction, Hang Gallery, San Francisco, CA, May 1999.
Landscape Paintings, Live Arts Gallery, San Francisco, CA, May 1999. (one-person)
35th National Inland Exhibition, San Bernardino County Museum,
Redlands, CA, May 1999.
The Heaven and the Earth, Sanchez Art Center, Pacifica, CA, April 1999.
Landscape Paintings, Live Arts Gallery, San Francisco, CA, Nov. 1998. (one-person)
We use cookies to analyze website traffic and optimize your website experience. By accepting our use of cookies, your data will be aggregated with all other user data.